Event Technology for a Multi-Functional Room
City Electric Supply’s “The Journey”
Event Technology for a Multi-Functional Room
City Electric Supply’s “The Journey”
Event Technology for a Multi-Functional Room
City Electric Supply’s “The Journey”
Event Technology for a Multi-Functional Room
City Electric Supply’s “The Journey”
NAMC
In 2018, City Electric Supply hosted their third biennial North American Manager’s Conference (NAMC) at the Gaylord Texan Resort & Convention Center. The theme for the NAMC was “The Journey” representing the company’s path as they grow their business on personal and professional levels, and the agenda featured a mixture of business sessions and fun for over 1200 attendees – the largest conference in their company history.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Slide the arrows below to see the transition between the opening and closing nights.
Event Technology for a Multi-Functional Room
City Electric Supply’s “The Journey”
NAMC
In 2018, City Electric Supply hosted their third biennial North American Manager’s Conference (NAMC) at the Gaylord Texan Resort & Convention Center. The theme for the NAMC was “The Journey” representing the company’s path as they grow their business on personal and professional levels, and the agenda featured a mixture of business sessions and fun for over 1200 attendees – the largest conference in their company history.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Slide the arrows below to see the transition between the opening and closing nights.
Event Technology for a Multi-Functional Room
Slide the arrows below to see the transition between the opening and closing nights.
City Electric Supply’s “The Journey” NAMC
NAMC
In 2018, City Electric Supply hosted their third biennial North American Manager’s Conference (NAMC) at the Gaylord Texan Resort & Convention Center. The theme for the NAMC was “The Journey” representing the company’s path as they grow their business on personal and professional levels, and the agenda featured a mixture of business sessions and fun for over 1200 attendees – the largest conference in their company history.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Having built a strong relationship with producer agencyEA on other events, OSA was brought in to provide all aspects of event technology, including audio, video, lighting, staging and scenic.
From the Thursday night talent show, “City’s Got Talent,” which kicked off the conference to Friday’s general sessions to an awards presentation on Saturday and finally, a closing concert by Blues Traveler, the main room served a variety of functions. Turnovers had to occur after each day’s events. The first two days featured a more intimate seating layout, and on the last day grandstands were added for a concert feel.
In addition to the main room, there were several breakouts and ancillary rooms to support. On Friday night, attendees enjoyed “Bets in the Backwoods” – a casino-themed evening featuring a local band, food & beverage and a host of games. The following morning attendees participated in “Counter Day” in the Expo Hall, which featured vendor presentations, and a dramatic Kabuki effect for the opening of this smaller general session. And on the final evening, prior to the closing concert, attendees enjoyed a performance by dueling pianos in the foyer.
Martin Audio & JBL Professional Loudspeakers
speaker Martin Audio Wavefront Precision Line Array, XE500 Stage Monitors for Entertainment and CDD-LIVE! Loudspeakers with CSX Subwoofers for the Dueling Pianos Foyer Reception
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
Digital Mixing Consoles
OSA used several digital mixing consoles.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
Wireless Systems & Intercom
DPA d:fine™ headset microphones were utilized to ensure natural and open sound, secure and
comfortable fit, and optimal performance.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
Martin Audio & JBL Professional Loudspeakers
speaker Martin Audio Wavefront Precision Line Array, XE500 Stage Monitors for Entertainment and CDD-LIVE! Loudspeakers with CSX Subwoofers for the Dueling Pianos Foyer Reception
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
Digital Mixing Consoles
OSA used several digital mixing consoles.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
Wireless Systems & Intercom
DPA d:fine™ headset microphones were utilized to ensure natural and open sound, secure and
comfortable fit, and optimal performance.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
Martin Audio & JBL Professional Loudspeakers
speaker Martin Audio Wavefront Precision Line Array, XE500 Stage Monitors for Entertainment and CDD-LIVE! Loudspeakers with CSX Subwoofers for the Dueling Pianos Foyer Reception
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
speaker_group Additional Speakers for Fill & Foldback by JBL Professional, Mackie and EVI
speaker JBL Professional VRX900-Series Series Line Array and Subwoofers for Counter Day
Digital Mixing Consoles
OSA used several digital mixing consoles.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
The main room FOH engineer used a Yamaha CL5 Digital Mixing Console with Yamaha R Series I/O Racks, employing Dante Network Audio Protocol and QLab Digital Audio Playback
The Counter Day FOH engineer mixed on a Soundcraft Vi1 using QLab Digital Audio Playback
Smaller mixers were set for the ancillary areas.
Wireless Systems & Intercom
DPA d:fine™ headset microphones were utilized to ensure natural and open sound, secure and
comfortable fit, and optimal performance.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
A Shure Axient® Digital Wireless System was used to guarantee clean RF quality.
OSA built a comprehensive intercom system consisting of both Clear-Com FreeSpeak II and HelixNet®. A Shure PSM 1000 system was deployed for the concert night robust, error-free in-ear monitoring.
Video Engineering
A Barco E2 Screen Management System was used to facilitate picture-in-picture and screen source/destination routing
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
For the smaller general session, Counter Day, OSA video engineers used a Barco FSN 2.5 M/E for signal processing & switching and a DT Videolabs PlaybackPro for playback. An HD camera system was implemented for this session too.
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
For the smaller general session, Counter Day, OSA video engineers used a Barco FSN 2.5 M/E for signal processing & switching and a DT Videolabs PlaybackPro for playback. An HD camera system was implemented for this session too.
Projection Systems
Two sets of converged & Redundant Christie 30,000 lumen projectors for center graphics & scenic screen and redundant Digital Projection 20,000 lumen projectors for left & right screens
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Support Systems &
Flat Screen Displays
Confidence & backstage monitors in both the main general session room & the smaller general session room
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
Video Engineering
A Barco E2 Screen Management System was used to facilitate picture-in-picture and screen source/destination routing
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
Projection Systems
Two sets of converged & Redundant Christie 30,000 lumen projectors for center graphics & scenic screen and redundant Digital Projection 20,000 lumen projectors for left & right screens
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Support Systems &
Flat Screen Displays
Confidence & backstage monitors in both the main general session room & the smaller general session room
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
Video Engineering
A Barco E2 Screen Management System was used to facilitate picture-in-picture and screen source/destination routing
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
Barco FSN 2.5 M/E Switching System
OSA used a WATCHOUT System to manage playback
The camera and iMag system included three high-definition studio cameras, record decks for each camera, as well as a switched program
Projection Systems
Two sets of converged & Redundant Christie 30,000 lumen projectors for center graphics & scenic screen and redundant Digital Projection 20,000 lumen projectors for left & right screens
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Gerriets custom center screen
Redundant, dual-converged Digital Projection 14,500 lumen projectors illuminating Stewart Filmscreen seamless screens in the smaller general session room used for Counter Day
Support Systems &
Flat Screen Displays
Confidence & backstage monitors in both the main general session room & the smaller general session room
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
90-inch monitors were used as delay screens in the smaller general session room used for Counter Day
Additional support systems including backstage monitors, teleprompter systems, speaker timer and cue lighting
Intelligent Lighting
OSA deployed an immersive lighting package including stage, entertainment-specific requests and room ambiance, as well as backstage safety lighting.
OSA utilized automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures.
The combined package lent a full color palette and a wide selection of gobo patterns which provided texture and atmosphere for the meeting functions and the movement and spectacular effects for the entertainment functions.
OSA utilized automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures.
The combined package lent a full color palette and a wide selection of gobo patterns which provided texture and atmosphere for the meeting functions and the movement and spectacular effects for the entertainment functions.
Special Effects
Ultratec Radiance Hazers were utilized to enhance the atmospheric effects.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
Control Systems
All lighting fixtures were controlled by a lighting console by High End Systems in one room and a Martin console in the other. Additionally OSA connected to the existing architectural system and controlled it from the console.
Intelligent Lighting
OSA deployed an immersive lighting package including stage, entertainment-specific requests and room ambiance, as well as backstage safety lighting.
OSA utilized automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures.
The combined package lent a full color palette and a wide selection of gobo patterns which provided texture and atmosphere for the meeting functions and the movement and spectacular effects for the entertainment functions.
OSA utilized automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures.
The combined package lent a full color palette and a wide selection of gobo patterns which provided texture and atmosphere for the meeting functions and the movement and spectacular effects for the entertainment functions.
Special Effects
Ultratec Radiance Hazers were utilized to enhance the atmospheric effects.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
Control Systems
All lighting fixtures were controlled by a lighting console by High End Systems in one room and a Martin console in the other. Additionally OSA connected to the existing architectural system and controlled it from the console.
Intelligent Lighting
OSA deployed an immersive lighting package including stage, entertainment-specific requests and room ambiance, as well as backstage safety lighting.
Automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures were used.
The combined package lent a full color palette, providing texture & atmosphere for the meeting functions and movement & spectacular effects for the entertainment functions.
Automated lighting fixtures from Martin, including the MAC Viper Performance and MAC Aura, along with Chroma-Q® Color Force 12™ LED fixtures were used.
The combined package lent a full color palette, providing texture & atmosphere for the meeting functions and movement & spectacular effects for the entertainment functions.
Special Effects
Ultratec Radiance Hazers were utilized to enhance the atmospheric effects.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
For Counter Day, lighting fixtures illuminated a Kabuki Opening with Solenoid System to add a dramatic impact to the smaller session.
Control Systems
All lighting fixtures were controlled by a lighting console by High End Systems in one room and a Martin console in the other. Additionally OSA connected to the existing architectural system and controlled it from the console.
Featured News
OSA Deploys Martin Audio Wavefront Precision at Corporate Event
“Brought in by event producer agencyEA for audio, video, lighting, staging and production, OSA realized that the acoustic challenges of a hotel ballroom, the need for uniform coverage plus the event’s weight and rigging descriptions led them to one inescapable conclusion.”
Featured News
OSA Deploys Martin Audio Wavefront Precision at Corporate Event
“Brought in by event producer agencyEA for audio, video, lighting, staging and production, OSA realized that the acoustic challenges of a hotel ballroom, the need for uniform coverage plus the event’s weight and rigging descriptions led them to one inescapable conclusion.”
Photo Gallery
All
Opening Talent Show
Counter Day
Corporate Awards
Dueling Pianos
Closing Concert Night
Martin Audio Speakers
Digital Mixing Consoles
Wireless & Intercom
Projection
Flat Panel Displays
Video Village
Production Crew
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
OSA Video Engineer
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
city-gas-event-2018-Saturday-135
Martin Audio CDD-LIVE 8 Ultra-Compact, Coaxial Differential Dispersion Powered 2-Way System atop a Martin Audio CSX-LIVE 118 Compact, Direct Radiating Powered Subwoofer
2018 City Electric The Journey NAMC Counter Day
2018 City Electric The Journey NAMC Counter Day
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Fans enjoy a concert by Blues Traveler during at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
The production crew makes final preparations for the Concert Night
city-gas-event-2018-Saturday-113
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
Down-Stage Monitors
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Front of House Audio Engineer
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
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Yamaha CL5 Mixing Console at Front of House
Martin Audio CDD-LIVE 8 Ultra-Compact, Coaxial Differential Dispersion Powered 2-Way System
Backstage Preparing for Show
Keyboard Player Ben Wilson of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Martin Audio XE500 Two-way, Bi-amp, Coaxial Differential Dispersion Stage Monitor
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
Avid VENUE Profile Live Sound Mixing Console Set Up for the Monitor Mix Position
Martin Audio CDD-LIVE 8 Ultra-Compact, Coaxial Differential Dispersion Powered 2-Way System atop a Martin Audio CSX-LIVE 118 Compact, Direct Radiating Powered Subwoofer
OSA Video Engineer
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
Avid VENUE Profile Live Sound Mixing Console Set Up for the Monitor Mix Position
city-gas-event-2018-Saturday-136
Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
OSA Video Engineer
Martin Audio CDD-LIVE 8 Ultra-Compact, Coaxial Differential Dispersion Powered 2-Way System
Projector Stack
OSA Video Engineer
2018 City Electric The Journey NAMC Counter Day
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Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Front of House Soundcraft Vi1 Mixing Console
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city-gas-event-2018-Saturday-124
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
OSA Video Director Jerry Barnard
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Project Manager Daniel Vennes
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
city-gas-event-2018-Saturday-116
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Projector Stack
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
Avid VENUE Profile Live Sound Mixing Console Set Up for the Monitor Mix Position
Front of House
2018 City Electric The Journey NAMC Counter Day
2018 City Electric The Journey NAMC Counter Day
Camera operator for the Concert Night at the 2018 City Electric The Journey NAMC
Fans enjoy a concert by Blues Traveler during at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
Hang of Martin Audio WPC Three-way, Bi-amp Line Array Elements
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Front of House Soundcraft Vi1 Mixing Console
OSA Video Engineer
2018 City Electric The Journey NAMC Counter Day
Keyboard Player Ben Wilson of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
The production crew makes final preparations for the Concert Night
Fans enjoy a concert by Blues Traveler during at the 2018 City Electric The Journey NAMC
Shure BETA 57A dynamic instrument microphone
Guitarist Chan Kinchla and Singer John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
city-gas-event-2018-Saturday-132
2018 City Electric The Journey NAMC Counter Day
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Camera Operator
OSA Audio Engineer Brian Daily Setting Up
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
city-gas-event-2018-Saturday-115
city-gas-event-2018-Saturday-11
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Lighting Programmer/Operator Duke Carlisle
2018 City Electric The Journey NAMC Counter Day
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John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Video Director Jerry Barnard
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city-gas-event-2018-Saturday-133
Yamaha CL5 Mixing Console at Front of House
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
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OSA Video Engineer
Yamaha CL5 Mixing Console at Front of House
city-gas-event-2018-Saturday-126
city-gas-event-2018-Saturday-134
Lighting Programmer/Operator Patrick Chan at Front of House
An Martin Audio XE500 two-way, bi-amp, coaxial differential dispersion stage monitor on stage on the drum riser
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
2018 City Electric The Journey NAMC Counter Day
city-gas-event-2018-Saturday-111
City's Got Talent, 2018 City Electric The Journey NAMC
Fans enjoy a concert by Blues Traveler during at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Audio Engineer Brian Daily Setting Up
Projector Stack
Avid VENUE Profile Live Sound Mixing Console Set Up for the Monitor Mix Position
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
The Audience Cheers for Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Front of House Video Director
2018 City Electric The Journey NAMC Counter Day
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
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Fans Enjoy a Performance by Blues Traveler During Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
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The production crew makes final preparations for the Concert Night
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Hang of Martin Audio WPC Three-way, Bi-amp Line Array Elements
Fans enjoy a concert by Blues Traveler during at the 2018 City Electric The Journey NAMC
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
Guitarist Chan Kinchla and Keyboard Player Ben Wilson of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Lighting Programmer/Operator Duke Carlisle
An Martin Audio XE500 two-way, bi-amp, coaxial differential dispersion stage monitor on stage by the pedalboard
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
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Camera operator focusing
A Martin Audio XE500 Two-way, Bi-amp, Coaxial Differential Dispersion Stage Monitor on Stage
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
2018 City Electric The Journey NAMC Counter Day
City's Got Talent, 2018 City Electric The Journey NAMC
Drummer Brendan Hill of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
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Shure BETA 57A dynamic instrument microphone
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
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An Martin Audio XE500 two-way, bi-amp, coaxial differential dispersion stage monitors
OSA Video Engineer
Shure BETA 57A dynamic instrument microphone
2018 City Electric The Journey NAMC Counter Day
Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
City's Got Talent, 2018 City Electric The Journey NAMC
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Martin Audio CDD-LIVE 8 Ultra-Compact, Coaxial Differential Dispersion Powered 2-Way System
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
Clear-Com Charging Station
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
2018 City Electric The Journey NAMC Counter Day
Dueling Pianos in the Foyer Prior to Concert Night at the 2018 City Electric The Journey NAMC
City's Got Talent, 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Front of House Soundcraft Vi1 Mixing Console
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Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Video Engineer
Guitarist Chan Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Avid VENUE Profile Live Sound Mixing Console Set Up for the Monitor Mix Position
Drummer Brendan Wilson of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
OSA Lighting Programmer/Operator Duke Carlisle
OSA Video Director Jerry Barnard
2018 City Electric The Journey NAMC Counter Day
The Stage is Set for the Concert Night of the 2018 City Electric The Journey NAMC
Camera operator focusing
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John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
John Popper of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
Camera Operator
Bass Player Tad Kinchla of Blues Traveler Performing for the Concert Night at the 2018 City Electric The Journey NAMC
An Martin Audio XE500 two-way, bi-amp, coaxial differential dispersion stage monitor on stage by the pedalboard